Creativity in games has recently undergone a renaissance due to Indie developers, new formats, smaller budgets and online distribution channels as well as mainstream innovations. So contemporary game design is a challenging mix of cutting edge tech versus old school techniques like storytelling and game play. Come and be inspired by some of the world's most innovative and successful game designers offering their own top tips, and insight.
This session talks you through the First User Experience (FTUE) being a crucial part of almost any game made to increase user retention by minimizing entry barriers and increasing the quality of experience and players’ enjoyment. Have you ever found yourself willing to skip a game tutorial? That could be driven by either finding a little value of the suggested control instructions or the opposite: finding it never-ending being stuck halfway through? That is a clear sign of poor first user experience. Nowadays your game competes with millions of other games coming out on all possible platforms for players attention regardless of which type of it is, whether you are going to use cutscenes, gameplay tutorial the fundamental idea is quite universal and can form in the best practice but at the same time introduce common mistakes as well. As a Lead UX Designer, Kristina has been involved in resolving numerous challenges while creating FTUI for each game that she’s been working on. Despite (but also thanks to) different gaming design and settings, finding universal techniques making a good first player’s experience that help avoiding major mistakes. Taking this to success, she initially was looking for an inspiration reviewing more than a hundred other games, getting feedback from the players in live ops, carefully analyzing, resulting in total UX decomposition.
On a game development team, a shared vision is crucial for success. If a team is having trouble seeing eye-to-eye, it can become a complicated problem to fix. In this talk, designers Jessica Fiorini and Marlena Abraham will walk the audience through a series of techniques that will help get their teams moving in the same direction. They will discuss the value of instilling interdisciplinary teams with the agency, ownership, trust, and most importantly, joy that will ultimately produce a better game. As Jessica and Marlena are at different stages of their careers, they’ll tackle this problem from two different perspectives: as a game industry veteran and as a designer whose responsibilities are still relatively new. From these vantage points, they’ll discuss communication tactics, documentation, software tools, and processes involved in building design consensus. They’ll explore how a combination of soft skills (e.g. how to receive and deliver feedback) and hard skills (e.g. documenting and testing assumptions) can produce a more engaging game. Using real projects as case studies, Jessica and Marlena will model the challenges a designer might face when building consensus, then use these examples to outline solutions ranging from playtesting and prototyping to new forms of communication. The audience will learn both the warning signs that stakeholders are facing disagreements and the ways to troubleshoot miscommunication. They’ll explore techniques that can solve issues that arise when leading or working with engineers, artists, sound designers, producers, and clients during various stages of game production.
Discover how the team behind ScavLab - the experimental sandbox testing platform within ‘Scavengers’ - tackled the challenge of creating engaging gameplay for massive scale live events, where thousands of simultaneous players gather together in the same communal hub. Explore the creative process behind crafting intimate game experiences at scale, what mechanics were successful, and which didn’t work out. Learn how community feedback can help the developer to deliver a shared real-time environment keeping a smooth performance with thousands of players connected. Dive into game mechanics focused on entertaining thousands of players by using different gameplay elements such as realistic game physics, AI-controlled enemies, and virtual environments. The talk will also cover some of the technological challenges, both client and server side, to deliver high-concurrency gameplay events on worlds with thousands of players.
Xbox believes a rising tide floats all boats, which is why they offer we offer resources for creating accessible experiences that any developer can use. In this talk, Tara will share what Xbox has to offer as well as how you can use them in your day-to-day work. We’ll specifically dive into the Microsoft Game Accessibility Testing Service, the Xbox Accessibility Guidelines, Gaming and Disability Player Experience Guide, the Xbox Accessibility Insiders League alongside other topics.
Knowledge on the accessibility resources Xbox offers to developers Information on how to use these resources How to provide feedback and communicate with the Xbox Accessibility Team
The session will start with a short introduction from George Blagden, lead actor in the FMV Game "The Gallery" (subject to availability), this will be followed by a presentation of a 10-15 minute extract from "The Gallery" showing how the game works on screen. Paul will then speak for around 10 minutes on how he interactivated the script to ‘The Gallery’ from an original linear version, as well as how he wrote the interactive script for ‘5 Dates’ from scratch. Rupert Howe will then speak for around 10 minutes on the Stornaway "islands" concept of game design, how to build a project, and how the software works. He will also speak about how it integrates with different platforms - enabling creators to deliver out to YouTube, Unity, Unreal amongst others. Finally, there will be a Q&A with - Rupert Howe, - Paul Raschid, - hopefully George Blagden, - Kate Dimbleby (Co-CEO Stornaway.io) and - Neville Raschid (CEO- Aviary Studios).
A whistle-stop tour of some of the many opportunities available to developers throughout the development process and beyond to improve their game by getting the players to see, play, experience and most importantly feedback on their game. One-or-two person Indie studios, Publishers and AAA will be able to more fully appreciate key moments during the dev-cycle when they can leverage player opinion and experience to make their game a better product. We will look at opportunities from the idea stage all the way through to launch and even after the game is released, as well as some of the pitfalls that can occur in games user research and how to avoid them.
Arkane Studios is known for great level design, and Dana Nightingale is known for the level design of Dishonored 2's Clockwork Mansion, neither of which would be possible without the support of the entire studio. This talk will also highlight critical hurdles and pitfalls that can keep your project's level design from being as good as it could be.
Games are an interactive medium. Adding interactivity to the story is a great way to make them more compelling. Players want to feel like their decisions impact the game and the game world, but this often conflicts with the production constraints of game development. Even games with huge budgets offer choices to the player they can't follow through on, resulting in a disappointing experience. This is completely avoidable, and depends entirely on the choices that are offered. In this talk, Tim presents several examples of interactive stories, including Runescape, World of Warcraft and Mass Effect. He examines what they did right and wrong, the consequences of those design decisions, and specific examples of what could have been done differently. Finally he presents a set of more general principles that can be used to take this learning and apply it to any game.
The world changed in 2020, but as we come out of the pandemic, things may have changed forever. Many people have gotten used to working from home, learning from home, and even socialising from home. As we return to our normal lives, some of these new routines will be here to stay, and while we start to meet up face-to-face again, we’ve discovered that socialising online can be easy, fun, and a cost-effective way to see our friends and family. But where does that leave local multiplayer games that, up until now, have relied on players physically being in the same room? At Snap Finger Click, we make local multiplayer games that can also be played together remotely. Last year, we discovered that we’d serendipitously made games that were perfect for a pandemic. With the option to play using your phone as a controller or play via the chat on Twitch, our local multiplayer games were selling 10x their normal amount as people searched for ways to socialise online. At this talk, you’ll learn how to make a local multiplayer game appeal to this new group of remote socialisers who want the party vibe of the living room in an online space. There are a number of ways to accommodate remote play without compromising the game design. Hear about all the things we got right, the things we got wrong, and what the future holds for this new way to play.
• Having a traditional online mode isn’t a substitute for what can be achieved with a local multiplayer game. The practicalities, the accessibility to casual gamers, and the off-screen interaction all present a challenge. There needs to be a more social way.
• Letting players use their phone as a controller means they can join from anywhere with a device they already know and are familiar with.
• Twitch integration is a great way to introduce the game to a bigger audience. Allowing players to participate from any device that can browse the internet just by typing in commands makes the game accessible to anyone.
• Features can be easily added to local multiplayer games to make them work remotely without taking anything away from the game design. Give the players the choice to play in the living room or socialise remotely and have just as much fun either way.
Children today are spending more time online than ever before, and a huge part of that time is spent gaming. Headlines regularly shout about children spending hundreds of pounds on Fortnite skins or Robux – but what drives these decisions and where does the value lie for the youngest audiences?
Jelena and Raj present findings from a study of children and parents’ attitudes towards in-gaming spending, exploring how gaming motivations impact the decision-making process and what type of in-game spenders exist in this audience. They also present the up-to-date thinking on the ethics of monetising children’s games, as well as design implications of the audience drivers and attitudes.
In between research, strategy and application – they discuss how we build games for children – ethically, commercially and to delight.
This talk will discuss how players learn to play games based on academic research and then focus on how you can utilise these findings to design systems to help newer and more experienced players learn to play multiplayer games, motivated by academic, industry, and popular literature discussing learning of games. Starting with an overview of major theories of learning from industry and academic literature, followed by a series of guidelines to help you develop learning support tools for your own games, and ending with some examples of helpful learning support from existing games made by developers and players.
- A holistic overview of the schools of thought around learning of games (in general and specifically multiplayer games).
- Guidelines for designing and developing your own learning support tools for your games.
- Examples of game learning support by developers and community members for further inspiration.
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Develop:Brighton is especially unique - it’s by the seaside and there’s a lovely relaxed tone that goes with that.The talks are cool, the networking is cool and having the opportunity to catch up with people – that’s always the excitement for me!
One of the things I like about Develop is it brings people together from across Europe and the whole world. There is a very high level of professionals here, so you have company leaders having drinks with juniors from their community.
Dr Mata Haggis-Burridge
Develop is a very important place – it’s one of the few developer focussed conferences we have in Europe and that makes it very valuable.
Develop is an excellent way of catching up with people – there’s a really nice community feel here.
Mike Bithell Games
Develop is the must-attend event for the games industry in the UK. It’s where we all come together and learn from each other. It’s the best way into the industry and it’s the best place to learn from your colleagues.
Develop always gets put in the diary. There are many reasons to be here, not just the talks, but the networking, people exchanging ideas about where the industry is right now and where it’s going to. It’s pretty essential to be here I think.
Ian Livingstone, CBE
Develop is important – the networking is very important. And go to talks they’re inspiring and get your creative juices flowing, they can make you think and you’ll learn how other people do things.
Develop is a really great way to network, it’s also great for going to talks and finding that little tip that you didn’t know before and thinking – oh I’ll bring that back to the team!
Develop:Brighton’s a great conference. It’s got a spread of people from all parts of the games industry talking about such a wide range of topics.
I really like Develop, I really like the intimacy of it and I love the location.. there’s a good diversity of talks going on so there hasn’t been a time when there’s nothing I want to see.
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