Here's the schedule for our 2018 conference programme.
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Opening Keynote: Shuhei Yoshida: Fireside Chat with the President of PlayStation’s Worldwide Studios
Tuesday 10th July: 9.45 - 10.45 : Room 2We are honored to have this year’s Develop Industry Legend Award winner and the president of Worldwide Studios for Sony Interactive Entertainment Shuhei Yoshida share his perspective on his long career. Shu’s career at Sony started in the 80’s before joining the original PlayStation team nearly two years ahead of the launch of PS1. As Executive Producer, Shu oversaw the release of iconic games like Gran Turismo and in his management capacity has continued to deliver generation-defining games from Ico to The Last of Us. He was also involved in the launches of all the PlayStation platforms including the current PSVR. During this fireside chat Shu will talk about the mission of managing the worldwide studios, and share his insight on Sony’s current successes.
Interview by Edge Magazine's Nathan Brown.
In Plain English: How to Create and Scale Your Mobile Free-to-Play Game
Tuesday 10th July: 11.00 - 11.45 : Room 2David went from years of running console studios to building and then selling a mobile free-to-play company. Now part of the mighty MAG Interactive, he's gone from knowing next-to-nothing about mobile F2P games to hundreds of millions of installs in the space four years. David gives an overview what he's learned in a way that anyone can understand and talks about best practice in current and future games.
VR Evolution: Learnings and Strategies for Designing AAA VR Games
Tuesday 10th July: 11.00 - 11.45 : Room 6In this session, Michael will share his experience gained from years of designing on AAA VR titles like: PlayStation VR Worlds, and Blood & Truth.
* The Challenges of Designing for a New Medium
* Popular trends in the first generation of VR games since VR's rebirth
* The Future of VR Software and the possibilities for emerging genres
* 10 things every VR Developer needs to know.* Feature development and how development priorities need to change when developing in VR.
Takeaway:
- How a Game Designer's approach has to change when designing in VR- Traditional Player Expectations Vs. Player Expectations in VR
- Strategies for opening up your game to new players, audiences, and VR veterans
The Steampocalypse - A Survival Guide
Tuesday 10th July: 11.00 - 11.45 : Room 4For the last couple of years Steam has become a competitive space. In the last few months, since Steam Direct launched, that has got even harder. The number of new games on Steam has gone from a handful per day back in 2015 to over 200 per week in March 2018. Can this rise continue? What do these dark omens tell us of what Steam may do in response? Is this a ‘Steampocalypse’ or simply the next iteration in the ongoing story of games development? Should you give up? Move to console? Pivot to mobile? Jack it all in and go work in another industry? Tomas Rawlings - indie developer running Auroh Digital and a co-director of Bristol Games Hub shares with you some of the survival strategies that he and other indies are using to attempt to ensure that they survive the Steampocalypse.
Takeaway
- Understand a key trend shaping our industry.
- See what other devs are doing in response.
- Learn how to plan your own response in a fast moving industry.
Vehicle AI Through the Ages
Tuesday 10th July: 11.00 - 11.45 : Room 5This session will start by outlining the greater complexity of Vehicle AI over Character AI, especially when writing one that controls a simulated vehicle instead of an emulated vehicle, and cover the reasons why you would want to do this in games. I will move on to explain the problems that were faced over time, and the solutions used to overcome them. Finally I'll give an insight into where the Vehicle Specialist Team at Ubisoft Reflections will be taking this topic in the near future.
Spilling the T: Let’s talk LGBTQ+
Tuesday 10th July: 11.00 - 11.45 : Room 7This discussion will be led by game designer Richard Franke better known as Miss Kitty Powers. Richard’s 20 years as a designer along with his unique personal experience in the industry put him in the perfect position to chair this conversation. Come share your “T” with Richard and other industry professionals about the ups and downs of our industry and how we can all work together to improve it.
Blockchains in Gaming: Today and Tomorrow
Tuesday 10th July: 12.00 - 12.45 : Room 4Fig helped make equity-based crowdfunding successful and turned traditional games publishing on its head. Now they are helping developers understand the value of blockchains in gaming. Join Alex Amsel, Head of Blockchain Development at Fig, for this informative session, which will begin with a primer on blockchain technology and its first use case, Bitcoin. Alex will then introduce the potential uses of blockchains to game developers whilst providing a balanced view of the nascent blockchain sector. He'll wrap the session by taking a look ahead and offering some opinions on the future of decentralised technology and its use in the games industry. Anyone curious about blockchain and cryptocurrency for their next game project will want attend this session.
What To Do When That One Big Deal Doesn't Turn Into The Next Big Deal
Tuesday 10th July: 12.00 - 12.45 : Room 2Aj will discuss life before, during and after signing the "contract of a lifetime". The ego driven rose tinted glasses that can cause you, and your team, danger. Scaling up for a contract and then maintaining that some number of staff when the contract is pulled from under you. This will cover managing budgets, remote workers, non-remote workers, overseas publishers, someone else's IP, contracts, a trip to Disneyland, a trip to another Disneyland, spending more money on "exploration" than you ever have on a game, that game being cancelled and everything that falls in between! How 5 guys in a garage got a multi-million dollar deal, turned into 14 people in a studio and then had that deal killed.
Enhancing Your Game's AI Using Unity Machine Learning Agents
Tuesday 10th July: 12.00 - 12.45 : Room 5Unity Machine Learning Agents is the revolutionary plugin for those who wish to turn their scripted game AI into a neural network-trained agent able to make reasoned decisions.
The session focuses on the implementation of the ML-Agents into an existing Unity projects. The talk includes a quick introduction to Machine Learning that does not require any prior knowledge on the topic. Alessia will cover how this is approached by Unity and how to get up to speed with the API efficiently. You will be introduced to exciting examples of what has been done with the ML-Agents, and then look at a feature demo breakdown to understand how it all works within the engine. The session aims to provide you with the tools necessary to understand and start working with Imitation Learning and the workflow of neural network training based on a Unity environment.
Developing New Story Telling Formats
Tuesday 10th July: 12.00 - 12.45 : Room 6I will be talking about how new technology channels, and particularly VR, are opening up opportunities for content makers to develop new formats for storytelling. In particular there is a wealth of opportunity for traditional media creators in formats like TV and film to reach new audiences and generate new revenue streams.
Why Mental Health Matters in Our Creative Lives
Tuesday 10th July: 12.00 - 12.45 : Room 7Mental health is just as critical as our physical health to our well-being as creative professionals, and yet a heavy stigma exists that continues to make people reluctant to openly discuss and address. The silence around the issue is deafening, and further compounds the negative perception. This session aims to have an honest and confidential discussion about mental health in the game industry, how it affects our craft, and what forms of support are available (or not!). In this session, you'll be invited to share your own experiences with others (only if you're willing and able - no one will be asked to do so) and talk about strategies for improving support, plus find out what changes some studios have introduced.
Leveraging Culturalisation for Building Better Game Worlds
Tuesday 10th July: 14.00 - 14.45 : Room 2With over 25 years’ experience in the video game industry as a geographer and culturalization strategist, Kate Edwards has been involved in the world-building process for many, many game titles, from major franchises such as Halo, Fable, Age of Empires, Mass Effect, Call of Duty, and Tomb Raider to an assortment of various indie games. She has truly seen it all when it comes to geopolitical and cultural issues that can negatively affect the ability of a game to be distributed and enjoyed by a wide range of players across diverse geographies and cultures. She has also seen game designers miss key opportunities to create more robust worlds that engage players by leveraging more of their local cultures. Come hear about the little-known field of content culturalization and how it assists game creators with building better worlds that account for a wider range of cultural, geopolitical, and environmental aspects.
Takeaway:
- The audience will learn about how the often-overlooked cultural expectations of the "real world" can interact and impact the perception of - and ultimately the success of - a game's creative vision.
Why Nobody Can Find Your Game... And What to Do About It
Tuesday 10th July: 14.00 - 14.45 : Room 4Answers to questions like why nobody writes about your game and why nobody can find it. Real world examples of the horror and how developers are working to overcome it.
Takeaway- How to get journalists to cover your game
- How to create games people can find
- Best practice on merchandising
Putting Text into Boxes: Why UI Art is Important, and How to Use It
Tuesday 10th July: 14.00 - 14.45 : Room 5An origin story of the UI artist in video games. Simon and Hayley will discuss their different career paths into the games industry and how the impact, responsibilities and perceptions of the role have evolved over time. Both will explore practical examples of UI problems they from previous projects, including Batman: Arkham Knight. The historical context will be established and then illustrated with personal experiences, professional tips and amusing anecdotes. From creating simple interfaces to over-the-top animated compositions, assisting in the creation of in-house UI tools, comprehending coder art and serviette designs, and seeing UX become a discipline in its own right.
Takeaway:
- Discover how the role of the UI artist has changed over the yearsDiscover the different career paths available to UI Artists
- Professional Tips for producing problem solving art work
Social Marketing Revolution: How Data and Social Can Help You Win!
Tuesday 10th July: 14.00 - 14.45 : Room 6How do you build an audience around your game even before it’s released? How do you turn loyal fans into brand advocates who celebrate and promote your game for you? We look at case studies from the world of TV and big brands and explore how a revolution in social media data and advertising can be harnessed to take on the big publishers and win.
Takeaway:
- How to build an audience
- The role of social advertising
- Using data to drive creative
- Turning customers into brand advocates
Creating Art Tools in Unreal Engine 4
Tuesday 10th July: 15.00 - 15.45 : Room 5Although art is an incredibly rewarding creative role, sometimes it can be repetitive, tedious and painful. Using Unreal Engine's blueprint, learn how to create a range of tools that can rapidly improve production time for environments and characters.
Takeaway- Learn how Unreal Engine's Blueprint can be used to easily create simple but powerful tools for artists.
Keeping and Re-engaging Players (long) After Your Game is Out
Tuesday 10th July: 15.00 - 15.45 : Room 4Fractured Space went into Steam Early Access in November 2014 and yet, without spending any significant marketing money, it has been playable 24/7 ever since and has a vibrant community of players and a loyal core following. This talk will be about what Edge Case Games has done across these years which has made this possible. James will also talk about what the future plans are to not only continue, but to grow the player base, and what he has learned from recent trends in this space.
Takeaway
- Listeners should be able to takeaway actionable ideas that they can apply to their game and communities, for live games and also upcoming titles.
Your Game Isn't Going to Sell. Let's See What We Can Do About That
Tuesday 10th July: 15.00 - 15.45 : Room 6With so many games releasing across every possible platform, the vast majority of titles are now sent out to their immediate deaths. Only the top 0.1% of games now make any real money -- so what can you do to grasp for one of those top slots? In this talk, Mike Rose from publishing label No More Robots explains what you can do to raise your chances of success in this scary market.
Takeaway:
- How to build a community that actually works through Discord, Twitch and Mixer
- Building behind-the-scenes relationships to reduce launch risk
- Working out exactly what it is about your game that will make people care
Coding Pro-Tips for Non-Coders
Tuesday 10th July: 15.00 - 15.45 : Room 2Calling all self taught coders, I can help you! I’ve worked with all kinds of developers, at all stages of their projects and this is a collection of pro tips using real world examples to help everyone to build better, more maintainable software.
Takeaway:
- Breaking down the initial design into very small components - leave room to grow
- When to change things - when it works then maybe just leave it
- Using tools to remove manual steps to improve speed of repetitive tasks and reduce mistakes
- Drawing diagrams to plan systems and execution flow before a single line of code is written
- Commenting or functioning first to flesh out algorithms before implementing them
Delivering Therapy Apps for Patients with Acquired Brain Injury
Tuesday 10th July: 16.00 - 16.45 : Room 6In this session, I will concentrate on three e-therapies that cover the three stages of development (patient co-creation; clinical trial; roll out). These are designed for patients with acquired brain injury (stroke, brain tumours, traumatic brain injury) to be able to use with minimal help to improve specific aspects of their cognition (e.g. reading, understanding speech, word finding). As well as therapy elements (some of which are gamified to increase users’ engagement with the e-therapy), the apps also contain diagnostic and outcome measures, so users can see if they are improving or not.
The principles used in task-based rehahabilitation are very similar to those used in normal human learning. I think that web-based applications are a good way to make scientifically proven behavioural therapies available to suitable patients and their therapists.
How to Win Loads of Awards with Your Very First Game
Tuesday 10th July: 16.00 - 16.45 : Room 5Why do some games win awards and others don't? After entering the industry just 2 years ago our game Blockships has won 6 awards and 6 nominations. We've taken it to over 20 events, expos, and conferences along the way, appeared in the PAX10, on Ginx TV, and the front page of Twitch. Were we just lucky? No, then, are we simply amazing? No, and in this talk I will discuss how we won these awards, and our strategy for getting them. What we did right, what went wrong, and how you can use what we learned to improve your ability to gain awards and how to make the most of them when you win!
Takeaway:- A practical strategy for achieving industry recognition
- Which awards are the right ones to target
- What to do once you have won
- How you can win even without winning the award
Life in the Fastlane – Taking Creative Risks in Game Design
Tuesday 10th July: 16.00 - 16.45 : Room 4After launching several successful build-and-battle games, Space Ape set its sights on making the next genre defining hit game on mobile. The team decided it was time to break away from what was safe and inject a dose of innovation and adrenaline into every aspect of its latest release, Fastlane: Road to Revenge. From taking creative risks with game design, to implementing a first-of-its-kind influencer campaign that drove hundreds of thousands of installs and creating a holistic new approach to ad monetization and UA that has tripled revenue and DAU, it’s safe to say that the developer’s innovations have found success and helped them push the boundaries of game design. In this talk, Space Ape’s COO Simon Hade will pull back the curtains on the entire development process, breaking down key learnings from this new approach and demonstrating how they will have a lasting impact on the company’s strategies moving forward.
From Indie Puzzle Games to Esports FPS Game
Tuesday 10th July: 16.00 - 16.45 : Room 2
Bulkhead Interactive that started as 6 University graduates 5 years ago. Now they have over 20 developers in their studio. They have released two first person puzzlers and then gone on to create 'Battalion 1944' a back to basics WW2 FPS game. Their Studio Lead Joe Brammer will be talking about the challenges and decisions they made when striving to make bigger and better games, leading to their ultimate goal of making their biggest challenge yet; a first person shooter. Those interested in how to take your indie studio to the next level and grow to new heights will leave this talk with an understanding of what worked and what went wrong for Bulkhead Interactive. As Bulkhead Interactive is built up of graduates and with an average studio age of 26, if you're a University student or a graduate there will be a lot of relevant information in this talk for you.Five Stars – The Best Video Games of 2018 (so far)
Tuesday 10th July: 17.00 - 17.45 : Room 22017 was a bad year for the world but a great year for video games. So how does 2018 compare, so far? How does what we’ve been playing from Jan to June reflect the current state of the video games industry? And is it just us, or have there been even more reboots/remakes/remasters than usual these past few months?
Join Jordan Erica Webber for an incredibly subjective take on what she considers the best five games of 2018 so far, and how she thinks (or hopes) they reflect the direction in which video games are headed. Place your bets now, so you can enjoy the smug satisfaction of having already guessed half the games on her list, or the pleasant surprise of learning about something new.World of Tanks: Mixed Reality for R&D, Marketing & PR
Tuesday 10th July: 17.00 - 17.45 : Room 6I’ll share how Wargaming (World of Tanks online game, 130million+ registered users) Special Projects group has successfully used all of the VR & AR tech imaginable to tell heritage stories in partnership with the largest tech companies and military history museums in the world, to engage internal and external digital native global audiences, online and at live events around the world, with heritage stories that actually capture their attention, while simultaneously garnering coverage from the world’s press, and doing important R&D work in preparation for ever-deeper dives into the growing mixed reality space… on reasonable budgets. I’ll use some concrete examples of projects we’ve launched:
- Sturmtiger Mixed Reality Experience – Microsoft Hololens, Google Tango, The Tank Museum at Bovington- World of Tanks AR App - Google ARCore, Apple ARKit, Microsoft Hololens, Google Tango
- Virtually Inside HMS Cavalier – Google Arts & Culture Platform, Chatham Historic Dockyard Trust
- War Knows no Nation - Oculus Rift, Google Cardboard, Samsung Gear VR, Littlstar on PSVR, Award-winning VR narrative short
Takeaway:
- How to leverage new media effectively, without breaking the bank
- Importance of the case study and meta-story when talking to your global community & press
- Best practices in designing for non-gaming VR and AR experiences
Development as Marketing: An Open Production Case Study
Tuesday 10th July: 17.00 - 17.45 : Room 5Open production is the process of making games transparently and honestly, fostering community as you go. This turns the development you’re doing anyway into marketing, engendering trust in you and your team, creating an engaged community ahead of launch, and providing you with violently useful steers, feedback and a growing audience along the way. Taking you through two case studies - Sunless Sea, where the team had limited open production experience, and Cultist Simulator, where the team had prior form delivering games this way - this talk will cover what open production offers, its potential pitfalls, how it fosters an audience for your studio and products, and Kickstarter and funding opportunities.
Takeaway:
- What open production is
- How to use ongoing development to build a community for your game and your studio (Kickstarter, public roadmaps, Early Access, sprint updates)
- The additional benefits of developing transparently (trust, support, word of mouth)
- Specific insight into the process of open production on Sunless Sea and Cultist Simulator (the process, the things that worked, and the things that didn't
What Players Want: Understanding Player Diversity
Tuesday 10th July: 17.00 - 17.45 : Room 4Everyone who makes games is in the business of designing for an audience, but understanding what players want has become increasingly difficult the broader and more diverse the audience for videogames has become. Combining cutting edge psychological research with practical game design techniques, this How To talk puts player enjoyment into a more concrete perspective by answering three questions.
What do players want? The ten psychological motives players have for enjoying games, from the victory motive to the narrative motive, provide every possible reason for players liking the emotional experiences of games. The most common mistake game designers make is assuming they are a typical player: they’re not, and neither is anyone else.
Does my game have what players want? The most reliable way of tracking audience preferences is to look at what players are already playing. Here, marketing and game design have to learn to work together to find the all-important balance between the familiar and the original.
Could my game appeal to a wider audience? You can make changes to a game to help it appeal to a wider audience – but you have to be certain you aren’t destroying the core experience just to go fishing for the mass market. Commercial videogames today have to court and keep an audience, and to do that you need to know which player motives your game can deliver, and which other motives are compatible with it.
Don’t guess at your audience: understand them, and yourself, and learn to make better games.
Takeaway
- Understand the Ten Player Motives, and how to design games that satisfy these needs.
- Estimate your game’s potential sales by recognising how to relate your design to games already in the marketplace
- Maximise your audience appeal without destroying your core experience through careful design tweaking
Keynote: The Road to Mafia III: Multi-studio Development for AAA Games - A Fireside Chat
Tuesday 10th July: 17.45 - 18.30 : Room 2Mafia III’s development story included the founding of a new studio, the creation of a timely narrative packed with difficult subject matter and the rebuilding of a proprietary engine and toolset for a new generation of console platforms. It would be fair to say that it wasn’t simple and certainly it wasn’t all plain-sailing, but the resulting game won many plaudits for its narrative and laid the foundation for Hangar 13’s next phase of growth. As the studio prepares for another expansion with a brand new team – Hangar 13 Brighton – Global Studio Head Haden Blackman and Vice President of Development Andy Wilson reflect on 20 years (and counting) of building a AAA console team from the ground up. For this fireside chat, GamesIndustry.biz's Chris Dring will interview Haden and Andy about their experiences building teams and games at studios such as LucasArts and Hangar 13 – including a look back on Mafia III and key learnings that will impact the team’s future projects. The pair will touch on a variety of subjects universal to all forms of games development, from the smallest indie to the largest AAA teams. Topics covered will include studio culture, working across multiple sites, building proprietary tech and the challenges of working with sensitive subject matter.
Keynote
Opening Keynote: Shuhei Yoshida: Fireside Chat with the President of PlayStation’s Worldwide StudiosShuhei Yoshida Sony Interactive Entertainment Worldwide StudiosNathan Brown Edge Magazine9.45 - 10.45 : Room 217.45 - 18.30 : Room 211.00 - 12.00
David Amor Mag Interactive11.00 - 11.45 : Room 2Tomas Rawlings Auroch Digital11.00 - 11.45 : Room 4Michael Hampden Sony London Studio11.00 - 11.45 : Room 612.00 - 13.00
Aj Grand Scrutton Dlala Studios12.00 - 12.45 : Room 2Alessia Nigretti Unity Technologies12.00 - 12.45 : Room 5Kate Edwards Geogrify12.00 - 12.45 : Room 714.00 - 15.00
Kate Edwards Geogrify14.00 - 14.45 : Room 2James Binns Network N14.00 - 14.45 : Room 4Simon Brewer Rocksteady StudiosHayley Brant Rocksteady Studios14.00 - 14.45 : Room 5Garret Keogh One Great Day14.00 - 14.45 : Room 615.00 - 16.00
James Brooksby Edge Case Games15.00 - 15.45 : Room 4Mike Rose No More Robots15.00 - 15.45 : Room 616.00 - 17.00
David Jones Bulkhead Interactive16.00 - 16.45 : Room 2Simon Hade Space Ape Games16.00 - 16.45 : Room 4Dave Cooper Dr Davient16.00 - 16.45 : Room 5Alex Leff Professor of Cognitive Neurology and Honorary Consultant Neurologist at Queen Square16.00 - 16.45 : Room 617.00 - 18.00
Jordan Erica Webber Games Journalist17.00 - 17.45 : Room 2Chris Bateman International Hobo17.00 - 17.45 : Room 4Lottie Bevan Weather Factory17.00 - 17.45 : Room 5Matt Daly Wargaming17.00 - 17.45 : Room 6Keynote: Industry Vanguard Jade Raymond Talks About Her Past and A Galaxy Far, Far Away
Wednesday 11th July: 9.45 - 10.45 : Room 2This year’s Develop Vanguard Award winner Jade Raymond’s first job out of university was as a programmer for Sony, where she was part of Sony Online's first Research and Development group. From programmer to running her own studio, Jade’s spent her career working on game changing and innovating franchises like Assassin's Creed, Watch Dogs and Tom Clancy’s Splinter Cell: Blacklist.
In 2015 Jade made the brave move to form Motive Studios with Electronic Arts, where she’s currently developing original new IP. She also oversees PopCap Vancouver and is responsible for the HD Star Wars portfolio across EA.
A trailblazer and innovator, during this fireside chat Jade will discuss her journey so far as a dev, her views on the future for her and the industry.
Demystifying the Media: How to Earn Your Place in the Press
Wednesday 11th July: 11.00 - 11.45 : Room 1Laying bare the inner workings of the games media, Lewis explains how indies can earn their place in the press and on influencer channels.
Takeaway:
- Understand the meaning of 'earned media'
- Learn how journalists, editors and channel owners work, and what they need to tell a compelling story
- Learn the value of trust in building media relationships - and how to earn it!
- How to use this knowledge to create PR campaigns that create mutual value and benefit.
Developing a Cross-Platform Game Using a Custom Engine in 2018
Wednesday 11th July: 11.00 - 11.45 : Room 4Are you writing or considering writing a custom engine for your next game project? This session discusses the lessons learned from developing Wargroove for Windows, Mac, Linux, Nintendo Switch, Xbox One and Playstation 4, using a custom engine written in C++14. It explores why Wargroove went with a custom engine, whether it was the right choice, and how big of an undertaking it was. It also seeks to answer whether a custom engine is the right choice for you, what challenges lie ahead of those who go down that road, which skills will be required of them, and how this choice affects the wider team, beyond programmers. Finally, it provides some practical tips that should be helpful if you are interested in writing your own engine.
Takeaway:- Should you write a custom engine for your next game?
- How big a task is writing an engine?
- What skills do you really need to write a game engine?
Come for the Game, Stay for the Community: How Empowered Players Become Invested Players
Wednesday 11th July: 11.00 - 11.45 : Room 2Through 17 years of operating one of the world’s largest free to play MMORPGs, Jagex has gained first-hand experience of how a focus on elevating the importance of player engagement and empowerment can drive an increase in loyalty and retention – RuneScape’s average active player lifetime is over seven years. Jagex’s CEO, Phil Mansell, will discuss how to nurture player engagement to drive player investment and how to bond a community of players through shared experiences for long-term retention.
From the winners of the Community Management Award at the MCV Awards 2018, discover how to cultivate fandom within a gaming community, how to stoke its passion, and the essential ingredients, both inside and outside of the game experience, that contributes to player loyalty.
Takeaway
- How to transform a live game service into a living game.
- How to support and encourage your most enthusiastic fans.
- How a deeper emotional connection between game makers and players delivers more advocates.
- How to scale community engagement and empowerment, no matter what size player base.
Community Management in the Memeverse
Wednesday 11th July: 11.00 - 11.45 : Room 5As a social media manager for a community of almost half a million on Facebook alone, Grace Carroll is used to dealing with passionate fans. This talk will cover a number of key points for anyone interested in managing online game communities - dealing with negative sentiment, growing a community and above all, keeping the fans informed and excited without giving everything away. This talk covers the important basic knowledge of online community management and some tips and tricks to finding the voice of your game.
Storytelling with Cameras
Wednesday 11th July: 11.00 - 11.45 : Room 6Learn about the development of the art of cinematography; the tricks used in movies to subconsciously communicate emotion to the audience. Explore how and when these can be applied to games to create more effective interactive experiences. Learn a potted history of cinematography, and how it can be applied to interactive games to engage players' emotions.
Takeaway:
Anyone with a stake in their game's presentation. Camera tools programmers, level designers, cutscene animators, game directors.The Gig Economy
Wednesday 11th July: 11.00 - 11.45 : Room 7The way games are made has long since changed, and the days of developing projects by a full in-house team have been replaced by teams of contractors, freelancers and even outsource companies coming together to create games quickly and more efficiently. Yet in a world where you’re not all operating from the same office, how do you make staff feel valued and part of the team? Plus capable of bringing their own style and personality to projects? As part of the new GamesIndustry.biz Academy online portal, James Batchelor will discuss with leading game creators about ways to effectively integrate, communicate and get the most out of a creative team that's scattered across different locations, companies and time zones.
So You Have a Great Idea. What Next?
Wednesday 11th July: 12.00 - 12.45 : Room 2After the initial excitement that a great idea brings, the next phase can be daunting. Does this game have any chance of commercial success? Is the space too crowded? Is it feasible for our team to build it? This talk will provide a number of techniques that you can apply at various points in the game’s lifecycle to help you make better-informed decisions and improve the chances of your game’s success - whether you are looking to validate the initial idea or refine the game during production or even post-launch.
Takeaway:
- Learn the basics of Product Management
- Learn how to validate your game idea
- Learn how to identify risks with your game and how to minimise them
Lessons From the Wilderness. Positive Outcomes from a Failed Project
Wednesday 11th July: 12.00 - 12.45 : Room 4There is no doom and gloom in this session; it is a resoundingly hopeful discussion that aims to destigmatise failure and provide an opportunity to learn and grow from our most challenging experiences. This session follows the course of project that is destined to fail and discusses the factors that can contribute to such a fate. The session also looks at the aftermath, both personally and professionally, of a project that comes to an abrupt end, and the process of picking up the pieces and leveraging your hard-won wisdom to do it all again, only better. Simon begins before the project starts a vital time to plan for success, whilst preparing for failure. He then moves to the initial prototypes with their freedom to experiment. Then to the heady rush of taking a demo on the road, where hubris and humility mix with equal measure. And finally, into that odd space beyond a project where the painful and liberating process of dis-entangling your sense of self from the game takes place.
Takeaway:
- That failure can be as constructive as it can be painful
- There are many things you can do to mitigate the costs of failure whilst maximising the benefits
- That taking unexpected paths can lead you to your intended destination
A Technical Deep-Dive into Unity's Asset Pipeline
Wednesday 11th July: 12.00 - 12.45 : Room 6Assets are at the very core of any Unity game, and yet the asset pipeline can be one of the most opaque systems to developers. In this session, one of Unity's internal developers will deep-dive into the process your assets will go through from being dragged into the project window, to being loaded by the engine when you hit play. This session will also feature a low-level look into how assets, dependencies and scenes are represented within Unity and how you can use a deeper understanding of these systems to improve your game’s performance and your studio’s development experience.
Seeing the Wood from the Trees: Making Awesome Foliage for Games
Wednesday 11th July: 12.00 - 12.45 : Room 5More and more we are seeing really great foliage in games. Not only does it look good, but it runs efficiently in the engine as well. In this presentation we’ll be identifying and analysing foliage in current generation games and then diving into practical advice and implementation, working within technology and time constraints, and finally what we can do to push the quality to be as good as it can be.
Takeaway
- Analysing foliage in the game world
- Identifying workflow techniques
- Working within technology constraints
The Messy Collision of Blockchain and Gaming
Wednesday 11th July: 12.00 - 12.45 : Room 1Blockchain technology has the potential to disrupt all areas of human activity and gaming is in the vanguard of that assault. Forget Bitcoin and CryptoKitties, the ability for players to own their in-game assets, sell them on, or use them in other games - Overwatch characters in Super Mario Kart? - will radically impact the sector, providing opportunities for the current leaders to grow their businesses or go the way of one-time leaders such as Midway, THQ and Acclaim.
Takeaway:
- What is blockchain?
- Why is blockchain important for gaming?
- What should you be doing to make the most of this opportunity?
They'll Remember That: Writing Choices in Games
Wednesday 11th July: 14.00 - 14.45 : Room 4Games offer something no other medium can: an immediate dialogue with its audience. To play a game is to make decisions about where to go, what to do, and how to do it. But how does one personalize those choices, so they become memorable, powerful experiences? Cash DeCuir offers a practical framework for examining stories and maximizing their impact in an interactive medium.
Takeaway
- A practical framework for breaking down narrative choices into four distinct components: Questions, or what the player is being asked to consider; Information, or the beats which informs the player's opinion; Opportunities, or the moments where the players may express their opinion; and Feedback, when the game recognizes the player's response.
- An understanding of how to intertwine the four components of narrative choices with mechanical and narrative design, creating new layers of immersion for players to delve into.
- An understanding of how to troubleshoot their narratives using this framework.
- A guideline for measuring the aptitude of narrative choices, before spending time developing them: are choices respectful of the player and their time?
Optimising Dynamic Graphics for PSVR in Unity
Wednesday 11th July: 14.00 - 14.45 : Room 5This talk is going to use the development of a Sony Funded PSVR game as a case study in how to optimise for large numbers of dynamic objects in a VR environment. The nature of the project required many custom solutions that departed dramatically from the typical Unity render pipeline. Using code examples, performance benchmarks and GPU traces from the project the talk will walk through modern graphics pipelines, shader/lighting optimisation and performance bottlenecks. We will compare this to a more typical high performance VR project and show how to understand where Unity performs well and where alternate solutions may be needed. While this talk will focus on Unity and PS4 as the primary environments many of the elements discussed are applicable to different engines and platforms. The talk will be constructed from the dual experiences of the Lead Programmer and the Lead Technical artist on the project.
Artificial Stupidity to Killer Robots: The Evolution of AI
Wednesday 11th July: 14.00 - 14.45 : Room 2AI is the next big thing. It's already better than you at chess, so we made it more playable with artificial stupidity. It's already creating killer robots, but for some games, that's OK too. And best of all, AI can recognise cat pictures, so when it drives a real car, it probably won't run over your pet. Games have always lead the way in AI, so how did we do it and where will it go next ? This is the story of when AI is useful, when it’s magic, when it’s an illusion, and even when it’s a mistake!
Takeaway
- What AI does in games
- Why that looks like magic
- How games will drive the future of AI
Leadership in a collaborative marketplace - cryptocurrencies’ new business models
Wednesday 11th July: 14.00 - 14.45 : Room 6Cryptocurrencies’ new model of finance gives us a new model for business - a flow of increasing value that allows for expansion in place of competition.
With reference to personal experience leading talented individuals and teams to deliver completed projects, and including specific, immediately actionable strategies, this talk covers:
-Optimally effective individuals
-Optimally effective teams
-Expanding resources replacing zero-sum thinking
-The dual leadership model
-Mechanics of collaborative markets
Takeaway:
-Harnessing individual talents
-Creating an integrated team
-Generating increasing value
-Communicating collaborative vision
-Leading through challenges
-Delivering on the promise
How to Make People Love You, Or at Least Love Working With You
Wednesday 11th July: 14.00 - 14.45 : Room 1In an industry where your team is your strength or weakness, this talk will cover how to create a positive company culture, a work environment where your employees want to be, and more importantly where they want to give you their best. Taking a look at examples from other companies, industries, and cultures, this talk will reflect on how to successfully manage company morale, how to attract the right staff and one of the most important topics: how to retain talent.
Game development is a fast-evolving industry, with younger generations having more input into the way it's shaped. Recruitment for talented staff, especially for smaller studios without big budgets, is becoming challenging, so companies need to look at other ways of attracting new talent. With a national average of 25 - 30 year olds staying in jobs for only 2-3 years, you also need to look at new ways to hold on to your staff.
And to help you walk the fine line between "domineering boss and push over", Nina will also be talking about how to nip damaging behaviour in the bud and how to work with your team to get to the root of why it's happening.
Takeaway:
- Advice and tips on how to make your company the best place to work and make sure your employees never leave you.
- Create and maintain a positive company culture
What the Crunch?
Wednesday 11th July: 14.00 - 14.45 : Room 7Large teams, small teams, global teams – there are so many different ways that studios are organised these days. And, the world has changed enabling teams to work remotely around the clock in London and Singapore on the same project. We’d all like to see crunch time becoming a thing of the past, so this roundtable discussion will dive into different company cultures and explore new ideas for killing crunch without killing your studio’s soul.
It’s Your IP. Keep It That Way
Wednesday 11th July: 15.00 - 15.45 : Room 1Creating original IP is hard. We all know that. But how you exploit it, value it, monetise it, and perhaps most importantly, how you protect it, are critical if you want to give your IP the best chance of success. Come and hear from this expert panel - chaired by Will Freeman, who will share their advice and experiences of how to get the most out of your IP and keeping it safe along the way.
Relatable Characters, Depth and Agency: How to Make Players Care About Your Story?
Wednesday 11th July: 15.00 - 15.45 : Room 6Do you want players to care deeply about your story? Then you need great characters that grow and change like Walter White or Daenerys Targaryen. Your story can only ever be as strong as your protagonist is memorable.
But how do you write meaningful character arcs that aren't destroyed on a whim by player's agency? How can you preserve your story's integrity when players are in control of the character's fate? Some people say it's impossible and,indeed in most games, characters don't change. This session will show you that it's not only possible, it's essential to engage players on a deep personal level.
Join 'Heavy Rain' Lead Game Designer Caroline Marchal and BBC Drama Producer John Yorke to understand how to create characters that empower players for maximum emotional impact.Takeaway:
- Attendees will understand how to develop successful three-dimensional characters that work for any game genre. They will learn design and narrative techniques to give players true control over their character's fate through choice and create the most compelling, immersive and memorable experience.
Do Switch Quick, Get Rich Quick?
Wednesday 11th July: 15.00 - 15.45 : Room 2Nintendo Switch is the hot new kid on the console block, but should you bring your indie game to it? Having ported a few games to the platform (including Mike Bithell’s Subsurface Circular) Tony talks through some of the pros and cons. As well as discussing the business case and marketing angle, he also talks through the design considerations in porting to a device that has controllers and a touch screen, and ways to integrate some fan (and reviewer) pleasing platform-specific features without ballooning your project’s scope.
Takeaway
- The business cases for and against Nintendo Switch porting for indies.
- Design considerations for porting mouse or controller-driven games.
- Ways to add Switch-specific features without increasing scope.
Game On! Beyond Traditional Esports
Wednesday 11th July: 15.00 - 15.45 : Room 4Mobile gaming competition is increasingly becoming a global sport. Mario Viviani, EU Technology Evangelist for Amazon Appstore, will discuss the future of mobile esports gaming and how Amazon is working with developers to build community and connect players through competitive play.
Visual Composition in Games
Wednesday 11th July: 15.00 - 15.45 : Room 5The session outlines both the elements & principals of art, their use in traditional visual composition and the subsequent practical application of this to the medium of video games art. Delegates to will gain an understanding of the fundamentals of composition & the various techniques + methodologies employed in traditional art.
Effective Social Media and Influencer Marketing on a Budget
Wednesday 11th July: 16.00 - 16.45 : Room 4Thanks to digital distribution, social media and streaming platforms, the art of video games marketing has changed significantly over the last few years. New players keep entering the scene, which makes it even harder to pick the right marketing channels for small to mid-sized indie developers and even big publishers. In this hands-on talk, Michael Schade, CEO of ROCKFISH Games, will share his best marketing stunts on Youtube, Twitter, Facebook, Twitch, and imgur, which helped to make EVERSPACE, the studio’s debut title, an indie surprise hit on Steam and Xbox with over 400,000 copies sold and still selling strongly.
Takeaway:- How to reach millions of gamers through imgur, 9gag and reddit
- How to build a great relationship with influencers
- How to do facebook marketing effectively
Beyond Gaming: How Live Streaming Brings Next Level Inclusion
Wednesday 11th July: 16.00 - 16.45 : Room 5Live streaming has been growing for years and has become huge part of the video game industry. But what does streaming mean for gamers with disabilities? In this session, Tara will discuss live streaming and it’s impact for viewers and streamers with disabilities, provide an introduction to Twitch Extensions and Mixer Interactive, and tell you how you can leverage this new tool set to bring forth a new level of inclusion in your title or build accessibility tools for a whole new audience.
Takeaway
- How gamers with disabilities engage in video game streaming as both a viewer and a broadcaster
- Receive an introduction to Twitch Extensions and Mixer Interactive
- Learn how to use these technologies to be more inclusive than ever
Team Organisation, Culture, Leadership and Tools in an Area of Games-as-a-Service
Wednesday 11th July: 16.00 - 16.45 : Room 2In this live fireside chat, three production veterans will share experiences and ideas around how Games-as-a-Service affects team organisation, leadership, culture, and tools. The panel will address challenges of distributed development, scaling large productions, and new challenges brought by developing for VR/AR.
Takeaway- Learn from experiences organising production and business for Gaming-as-a-Service.
- Be inspired by trends in organisation and leadership to organise your teams for the future rather than the past.
- Get best practices around building culture, managing distributed teams, and tools tips and tricks.
Technical Art – What it is and How to Get There
Wednesday 11th July: 16.00 - 16.45 : Room 1Technical Art is a fairly new specialisation within Art teams, is not strictly defined and often means different things to different people. In this session we take a deep dive into the variety of different specialisations, roles and responsibilities which are broadly categorised as “technical art”. How do you build a technical art team? Hiring is notoriously difficult for these positions; we also cover what we look for in potential Technical Artists, common ways that artists transition into more technical roles and ways to foster cultural adoption of Technical Art within your team.
Takeaway:
- Greater understanding of the variety of roles and responsibilities within Technical Art
- Things you can do as an artist to transition more towards a Technical Art role
Design Workshop: Advanced Paper Prototyping
Wednesday 11th July: 16.00 - 17.45 : Room 6In this 2 hour workshop, attendees will make a paper prototype of an action-based combat game. After a short introduction, they will develop their own twist on an urban zombie shooter. Their prototype will allow them to balance movement and combat rule-sets, as well as gain insight into potential AI behaviours and weapon systems, all without a single line of code. Ideas will be shared for prototyping time-sensitive reactions, tracking statistics, and other fast methods of finding the fun in a concept.
Takeaway:Game designers will learn practical methods for rapid prototyping of game systems. These will help you improve your designs, and increase your ability to communicate them to your team.
You Shall Not Pass: Dealing with Social Media Trolls
Wednesday 11th July: 16.00 - 16.45 : Room 7This discussion will provide a forum for you to talk about best practice when dealing with trolls – learn how to engage professionally and stay in control of your message online. Plus, share war stories and experiences – good or bad - with other developers to avoid costly mistakes and improve your community management.
PONToon - Digital Skills, Employment and Empowerment
Wednesday 11th July: 17.00 - 17.45 : Room 4PONToon is an exciting project that uses a range of new and developing technologies such as games development, 3D/virtual reality, social media and web/mobile apps to engage, support and up-skill women in order to aid their employment opportunities. The project is centred around community development, social and economic inclusion and equality. It aims to produce a method of working that's not only scalable and transferrable but also applicable to broader demographic sets and geographical regions for continuing impact.
Takeway- Ideas about how to provide engaging ways of teaching women how to use technology such as games development and 3D/virtual reality technology.
- Ideas for creating a range of new and developing technologies to engage, support and up-skill women in order to aid their employment opportunities.
- Ideas about how gamification techniques can foster community development, social and economic inclusion and equality.
Solving an Invisible Problem: Designing for Colour-Blindness
Wednesday 11th July: 17.00 - 17.45 : Room 5Drawing from his own experiences as a colour-blind gamer and developer, Douglas goes into detail about how the colour blind see the world, and how this can make some video games very difficult to play. He also addresses the issue of why developing for colour blindness is so difficult, with anecdotal examples from the development of Alien: Isolation and Halo Wars 2, and why some colour-blind solutions can still fail to make the game more playable. The aim of this talk is to deepen delegates understanding of exactly what colour blindness does to a gamer’s experience and expose them to some practices and solutions that can help make their games more accessible to the colour blind.
Developing on Roblox: How a Young Developer Built a Successful Virtual Game Studio
Wednesday 11th July: 17.00 - 17.45 : Room 2The Roblox platform has exploded over the last few years with game creation skyrocketing and developers earning real money for their creations. This interview will be with Roblox developer, Thomas Hoeksema, who has successfully created multiple games on Roblox. Hoeksema will offer insight into his entrepreneurial experience in creating a virtual studio that leverages expertise from developers located around the world to create successful games on the Roblox platform. Roblox is unique, as it puts the ultimate success in the hands of the developer. Ultimately, does Hoeksema see Roblox as a stepping stone to other opportunities in the game creation world or is the Roblox platform itself an opportunity to build a formidable and successful career? Find out!
Start-up Toolkit
Wednesday 11th July: 17.00 - 17.45 : Room 1The BFI Certification Unit and Sheridans present a tutorial on how and why you should set up a limited company so you have the best foundation to enable you to create great games. The talk features a step-by-step guide on how to set up a company at companies house, a summary of how much this costs and a discussion on how to best position this company to access private and public sources of finance.
Do I need to register a limited company if I'm making games? Find out why you definitely should, how to do it, and what it costs.
Takeaway:- You should I set up a limited company ASAP.
- You have a strong idea of how to do this and how much it will cost.
- You have an overview of what investors look for in a company (rather than a game).
- You have an overview of different sources of public funding in the UK and details on how to access video game tax relief.
Keynote
Jade Raymond Electronic Arts’ Motive Studios (Montréal, Vancouver)Jordan Erica Webber Games Journalist9.45 - 10.45 : Room 211.00 - 12.00
Lewis Denby Game If You Are11.00 - 11.45 : Room 1Phil Mansell Jagex11.00 - 11.45 : Room 2Rodrigo Braz Monteiro Chucklefish Games11.00 - 11.45 : Room 4Grace Carroll Creative Assembly11.00 - 11.45 : Room 512.00 - 13.00
Jon Jordan Accidental Gizmo12.00 - 12.45 : Room 1Simon Ashbery The Victoria and Albert Museum12.00 - 12.45 : Room 4John Griffiths Evidential12.00 - 12.45 : Room 5Harry Rose Unity Technologies12.00 - 12.45 : Room 614.00 - 15.00
Nina Adams Auroch Digital14.00 - 14.45 : Room 1Ian Shaw Games Technology Consulting14.00 - 14.45 : Room 2Cash DeCuir Narrative Designer and Writer14.00 - 14.45 : Room 4Edward Blanch Tin Man Games14.00 - 14.45 : Room 5Jennifer Manson Fathom14.00 - 14.45 : Room 6Patrick O’Luanaigh nDreamsAj Grand Scrutton Dlala Studios14.00 - 14.45 : Room 715.00 - 16.00
Will Freeman Freelance Games JournalistJulian Ward Lee & ThompsonNeil McClarty JagexSteve Bainbridge Dovetail Games15.00 - 15.45 : Room 1Caroline Marchal Interior NightJohn Yorke Angel Station15.00 - 15.45 : Room 616.00 - 17.00
Mark Sneddon Rocksteady Studios16.00 - 16.45 : Room 1Patric Palm FavroUlas Karademir Unity16.00 - 16.45 : Room 2Michael Schade ROCKFISH Games16.00 - 16.45 : Room 4Tara Voelker Xbox16.00 - 16.45 : Room 5Dr. Mata Haggis-Burridge Professor of Creative and Entertainment Games at NHTVThomas Buijtenweg Academy of Digital Entertainment at NHTV16.00 - 17.45 : Room 6Grace Carroll Creative Assembly16.00 - 16.45 : Room 717.00 - 18.00
Thomas Hoeksema RobloxCraig Chapple PocketGamer.biz17.00 - 17.45 : Room 2Dr Bernie Byrnes University of Portsmouth17.00 - 17.45 : Room 4Douglas Pennant Creative Assembly17.00 - 17.45 : Room 5Keynote: The Future of AI in Games Creation
Thursday 12th July: 9.45 - 10.30 : Room 2Creative Director of BAFTA-winning Bossa Studios, Chet Faliszek will expand on the impact of AI not just on the narrative of games but also deep in their core designs. Former writer of iconic games at Valve, Chet will share a perspective on how Bossa is creating the games of tomorrow with the help of AI.
Audio Track Welcome & Introduction
Thursday 12th July: 10.00 - 10.15 : Room 6Audio track curator and chair, John Broomhall, welcomes delegates and guests and introduces the day’s proceedings.
Directing Actors: The Do's, the Don'ts and How to Get the Best Performance
Thursday 12th July: 10.15 - 11.00 : Room 6How do you get actors to give you the best audition sides? How do you coax the best performance? How do you communicate effectively to ensure that they perform how you want them to perform? How do you ensure that the audition sides reflect the true value of each voice actor? This talk will draw on the various methods of actor training to develop a common language, a common vision of the character and save studio time and money. Fun, fast, challenging and informative.
Keynote: Rami & Mike One on One
Thursday 12th July: 10.30 - 11.00 : Room 2Industry trailblazers Mike Bithell and Rami Ismail have both had great success and are out spoken industry champions. This intimate fireside chat will let them discuss their experiences over the last few years, tell you what pit falls to avoid and discuss what they think about the future. This session should be full of entertaining insights and valuable lessons. They'll answer a few questions from attendees too.
Interview by games journalist Will Freeman.
Making Accessibility for Everyone
Thursday 12th July: 11.15 - 12.00 : Room 7Inclusion of gamers with disabilities is easiest to achieve when it is tackled from the start of development. But to be able to do that you need to know where to start and how to think about tackling these issues. Whether you're just starting out on your accessibility journey or an experienced practitioner wanting to share experiences, come and join this discussion about how to plan for and implement accessibility.
Putting Your Borg Hat On: A Procedural Approach to Game Design
Thursday 12th July: 11.15 - 12.00 : Room 2How does a designer know that an idea is going to work? Our ideas are always going to be coloured by personal biases, which can help or hinder our concepts. In this talk, Thomas and Mata discuss the limits of human creativity and how a generative method can help us overcome our biases. The talk contains a practical example of game concept generation through simple tools that are available to all. These generative approaches won’t replace human skills of imagination and artistic expression, but they will have an impact on the future of game design roles. By embracing them now, we can learn to use them to enhance our games and stay competitive in our skill sets.
Takeaway:
Game designers will assimilate a practical technique, including simple tools, for creating new game designs through procedural concept development.Run Fast, Sound Great: Keys To Successful Voice Management Systems
Thursday 12th July: 11.15 - 12.00 : Room 6Key members of Frontier’s audio programming team demonstrate how to create a bespoke VMS to mitigate an excessive voice count that’s draining CPU time and memory resources - leading to a cluttered mix that’s hard to tame. For the uninitiated, development of such systems can be a significant time sink and middleware isn’t necessarily the answer. Over the last five years, Frontier has developed bespoke technology to overcome some of those third party shortcomings.
This talk will provide an overview of that development across a number of titles including forthcoming Jurassic World Evolution. A brief critique of previous implementations will provide an historical perspective and reveal lessons learned and key insights into choices made. An outline of the latest system's functionality and implementation will show how programming best practices such as generic systems, code reuse and separation of concerns can greatly help VMS development at your studio.
The Difficult Second Game
Thursday 12th July: 11.15 - 12.00 : Room 5The plan: make a game, sell loads of units, use the profit to make the game of your dreams, never worry about money again The reality: make a game, sell a modest number of units, question all your decisions, panic about what to do next In this talk, James Parker, director at Ground Shatter, talks about how the company went from a largely self-funded single-person developer to a fully-fledged microstudio with a six-figure publishing deal and its own label-maker. He will cover the highs, the lows, and the stumbling blocks along the way; from finding and then losing a publisher, to the importance of singing, making your first hire, firing your accountant and how it's possible to fund a studio expansion when your first game sells only an average amount. Warning: May contain survivorship bias.
Takeaway
- An understanding of the business considerations when expanding a small indie developer
- Real life examples of the potential up and downsides to various funding streams that are available
- An appreciation of the changing marketplace for indie games and/or at least one great joke
Live Ops: What is it and How to Implement it in Your Game
Thursday 12th July: 11.15 - 12.00 : Room 3This session will cover the the 6 key areas that are required for any Live Ops game - events, promotions, new content, new features, community management and problem management. As well as an overview of what each area should include, the session will give insight into how to implement these within your game and your team, what tools and processes you should be using, and how to plan ahead to make the transition to live ops, and scaling of your game, as efficient as possible.
Takeaway:
- An understanding of what Live Ops entails
- How to implement your game to support Live Ops
- How to plan your Live Ops project schedule, and how to transition from development to live ops
- The skills required within your team for Live Ops
AI In Your Pocket: Character-Based Conversational Sims
Thursday 12th July: 11.15 - 12.00 : Room 4While the rise of conversational interfaces has seen us welcome Alexa and and Siri into our homes and fueled the conversation about AI, we’ve made fewer strides when it comes to having satisfying conversations with game characters. Yet character-driven mobile games like Bury Me, My Love show the way forward for pervasive narrative games, while simultaneously, ‘chatbot games’ are emerging, such as event[0] with its natural language input. What do advances in AI mean for the ways in which we design interactions and conversations with game characters, and what are the new possibilities for game design: particularly when we are telling ongoing, pervasive stories? This talk surveys existing games and tools and the best practices these indicate for the future of social simulation and AI-driven characters in games.
Takeaway:
Attendees will learn about game design possibilities leveraging AI tools and techniques, and considerations when designing social simulation games featuring conversational characters.Seismic Changes to the SEIS/EIS Regime and Their Implications to You
Thursday 12th July: 11.15 - 12.00 : Room 1If you are looking to raise investment in your business, you will most likely be considering the numerous benefits of the SEIS and EIS arrangements. Such benefits can include various generous tax reliefs to investors who buy shares inappropriately qualifying businesses.
On March 15th, the Finance Act 2018 introduced certain changes to the SEIS/EIS rules, some of which will impact a number of games businesses seeking to raise investment using these methods.
Crucially, companies issuing any new SEIS/EIS based shares after this date will need to ensure that they still qualify under these new rules, or risk any tax benefits being restricted or even clawed back.
This session will explore some of the key rule changes, some of the potential impacts and a few potential strategies that might help you out.
TAKEAWAY: Attendees can expect to get a broad understanding of the changes to the SEIS/ EIS rules and some ideas about how to address these moving forward.
Rise Of Story-Driven Games - Challenges For Voice And Word
Thursday 12th July: 12.15 - 13.00 : Room 4Story driven games are back with a vengeance. The renaissance started when the title Lifeline paved the way for text adventures to reach a new audience on mobile devices. More and more platforms are offering an exciting experience - some linear, some interactive. In addition, voice-controlled devices like Alexa or Google Home are giving story-driven games a new dimension. But how does game design and storytelling work when visuals are no longer the primary way to excite your audience? And how to monetize these stories? This talk will offer some insights on creating story driven games for voice controlled devices and the special constrictions these platforms enforce. Some basic experience in story telling and some basic technical understanding are necessary to get the most our of this talk.
Using Audio to Support the Story and Maintain Immersion in Batman: Arkham VR
Thursday 12th July: 12.15 - 13.00 : Room 6Batman: Arkham VR is a story driven VR experience where the player becomes the BATMAN. This talk is NOT about HRTF, inter-aural delay or sound propagation. This talk is about telling the story with audio in a VR experience, using it to maintain player immersion and how sound is used to support VR gameplay.
Block-Chain Gaming - A Question of Design
Thursday 12th July: 12.15 - 13.00 : Room 3The latest phenomena impacting Games is the rise of the use of Block-Chain techniques and Crypto-Currencies. Building on his experience working on the design and monetization strategy for Reality Clash (www.RealityClash.com); Oscar will explore the design questions that every games developer considering working an ICO, and block-chain secured assets or platforms. This will explore the following: * Impact of Crypto-Currency on Game Funding * Use of Block-Chain technologies in Games * Adding gameplay through secured transactions * Common Design Problems.
Takeaway
You will learn to:- Be careful with the commitments in your ICO whitepaper
- Treat your block-chain currency/tokens as an economy
- Future proof your design choices
The Never-Ending Fight: Getting Noticed as an Indie
Thursday 12th July: 12.15 - 13.00 : Room 5While developing Abandon Ship, Team Lead Gary Burchell kept track of all marketing-related data, from trailer views to individual social media posts. All of this was focused on one drive: building up as many Steam Wishlists as possible. Join him as he goes through the data, breaking down strategies that helped get Abandon Ship covered by major outlets dozens of times, attaining a newsletter with thousands of subscribers, gaining a million plus views on YouTube and over a hundred thousand wishlists – all with no prior marketing experience. Learn from the successes and mistakes that allowed a remote working micro-studio, self-publishing its first title in Early Access to hit 4th in the Global Top Sellers charts on Steam – yet also why it may not be a challenge you wish to take on alone.
The Challenges of Attracting and Retaining a Paying Audience
Thursday 12th July: 12.15 - 13.00 : Room 2All games need paying players to grow. Finding them is only the start of the challenge. This session will cover methods for exploring the right product-market fit for your games, the strengths and weaknesses of different UA channels, and the importance of optimising your campaigns and games for both paying and free players. Relevant metrics and case studies will be included.
Takeaway
- Learn from experiences organising production and business for Gaming-as-a-Service.
- Be inspired by trends in organisation and leadership to organise your teams for the future rather than the past.
- Get best practices around building culture, managing distributed teams, and tools tips and tricks.
You Are Spending Too Long Making Your Game
Thursday 12th July: 12.15 - 13.00 : Room 1Veteran indie dev, Jake Birkett, will talk about why you are spending too long making your game and how much a "good" game can earn on Steam.
Takeaway:- Why making games quicker is sensible.
- How much an average "good" game on Steam will earn in the first year.
- Tips for how to make games quicker.
The New World of Inclusion
Thursday 12th July: 12.15 - 13.00 : Room 7Recent events in the world have helped the continued changes in the landscape – resulting in increased diversity, but there’s still a way to go! This discussion is for anyone wanting to discuss helpful, productive and interesting ways to encourage more inclusion and less prejudice in our industry.
Videogames: Design/Play/Disrupt - A Behind the Scenes Preview
Thursday 12th July: 13.30 - 14.00 : Room 1Videogames: Design/Play/Disrupt is a ground-breaking exhibition exploring contemporary videogame design and culture opening this September at the V&A. The exhibition’s lead curator Marie Foulston joins us to provide an exclusive behind the scenes preview of this landmark show. She will provide unique insights into the exhibition’s design and curation and discuss just what it takes to bring videogames into the world’s leading museum of art and design.
The show explores the medium from the mid-2000s, when major technological advancements profoundly changed the way videogames are designed, discussed and played. Rarely seen design materials from the desks and hard drives of world leading designers sit alongside brand new large-scale immersive installations to take visitors into the heart of the design and culture of videogames like never before.
Challenging Videogame Music Tropes
Thursday 12th July: 14.00 - 14.45 : Room 6Multi bafta-nominated composers Olivier Derivière (Get Even, Remember Me, Assassins Creed IV: Black Flag – Freedom Cry) and James Hannigan (Red Alert 3, Dead Space 3, Harry Potter) discuss the state-of-the-art in music for videogames.
The early days of videogame music promised much - a new form of music – perhaps even a new art form. Integrating music composition deeply with gameplay was an exciting new world of creative opportunity. So where did all the truly inventive ideas go? Is linear music plus a few standardised interactive techniques overlaid really the zenith of game music design?
Game Music Connect co-founder, James Hannigan, was an acclaimed early innovator and proselytizer of interactive music composition whose extraordinary journey from the nascent days of highly flexible midi music to unbridled ‘quad-A’ linear orchestral scores furnishes him with a unique, historic and thoughtful perspective on the role, function and placement of music in games.
Meanwhile, creating music for Get Even provided radical composer Olivier Derivière an apparently highly rare opportunity for a deep and early involvement with developer The Farm 51. They trusted him to realise a unique vision for an intricate integration of music and sound design from the get-go which led to a recent Bafta nomination. But with the proliferation of today's middleware tools why is such an approach so rare?
Starting a Start-Up: Learn from Us!
Thursday 12th July: 14.00 - 14.45 : Room 2As our company was formed by three programmers with no business background and without any business courses/modules, almost everything we've learned has been from making mistakes on the job or by looking back on how we could have done things better. While that suggests we’ve made a lot of mistakes, we are still going which means we must be doing something right. In this talk will I will highlight all the things I wish I'd known at the start that we should've done differently. There will be special focus on the aspects that I think would have significantly improved our business prospects. This includes areas that weren’t really highlighted to me by the mentors and advisors I talked to when I started (and the areas that were which I didn’t really act on). People will leave the talk with a better understanding of what it takes to run a business and all the things they should be considering, even before starting, to get the most success from their company.
Herding Kittens at Bossa: Production Practices for Indie Teams
Thursday 12th July: 14.00 - 14.45 : Room 1If there is one thing that Bossa Studios is known for, it's taking risks. The likes of Surgeon Simulator, I am Bread, and now the very first Community-Created MMO, Worlds Adrift, are just a few of the creative and unique projects that came out of Bossa and enticed the gaming industry.
But have you ever wondered about the people behind those games? How have these creatives been found and moulded into the developers they are today? Has it always been this way? What's next to come?
This talk will cover the unique approach to picking out the right people for the company as well as the flexible approach to production. Expect to leave the talk with a better understanding of the creatives behind Bossa, the attributes we look in people, how they are brought together with projects and the ways we keep them focused and passionate. Perhaps you will see yourself in this talk or you will wish to adapt the same process with your own teams. Perhaps even come up with something brand new! Either way, it's all about finding the best and brightest people, and finding the right ways to allow them to be as creative as possible.
Takeaway:- Learn and understand the Bossa company values
- Find out what's the Bossa production process like
- How to bring teams together
VR and Disability: An Overdue Love Story
Thursday 12th July: 14.00 - 14.45 : Room 5Videogames are at their root about empowerment and escapism. Virtual Reality especially offers unprecedented options for immersion, enabling users, and freeing them from their physical constraints. People with disability are usually considered a niche market, an afterthought, a reasonable casualty in the existing marketing paradigm. With 1 in 5 having a disability, there is a large demand for entertainment by the people who need it most, but are notably discriminated against by VR titles available. Looking beyond the initial wow factor of VR, the truth is that people with transient or permanent disability look at VR as the primary tool by which they can expand their otherwise limited gaming and entertainment experience, making them an ideal core target.
The talk provides insight on the necessities, challenges, and requirements that disabled gamers meet daily, and practical, cost-effective approaches that developers may use to reach a wider audience that will persist past the initial curiosity wave.
Takeaway:
- Why gamers with disability form a core audience for VR
- What are their necessities and challenges
- How developers can satisfy the added constraints in cost-effective ways
- How to effectively include people with disabilities in the development process
Creating the Characters of Mafia III
Thursday 12th July: 14.00 - 14.45 : Room 4Join Bill Harms, Narrative Director at Hangar 13, for a discussion and presentation on how he and the team at Hangar 13 created the primary characters in Mafia III, including their motivations and political beliefs, with never-before-seen deleted scenes from the game and casting footage. The discussion will also cover how the characters evolved during development and how elements outside of narrative, including design and the actors themselves, helped shape what you see in the game.
AAA Quality Meets Independent Freedom: Turning Hellblade into a Reality Using Unreal Engine
Thursday 12th July: 14.00 - 14.45 : Room 3Taking a look at our character and VFX pipelines, and how limited resources and a powerful subject matter informed some of the technical and artistic choices on Hellblade. We’ll discuss key lessons learned throughout the process, the successes and the failures, and share our thoughts on what it means for future art pipelines at Ninja Theory.
Takeaway:
- You have to start somewhere...
- Understanding what to solve in-house and when to bring specialist partners on board.
- Cutting your coat according to your cloth; understanding resource constraints and making smart choices.
- Constraints can make you more creative
- Make space for an explorative creative process, but keep in mind the need to finish.
Audio Design Masterclass: Creating Force Power Sounds For StarWars Battlefront II
Thursday 12th July: 15.00 - 15.45 : Room 6Focussing on the practical audio design work from conception through prototyping to in-game integration, Philip will reveal how the audio team at DICE developed the sounds of the ‘heroes’ whilst needing to unify the sonics of all Star Wars eras into one holistic soundscape. He will detail examples which show the direction, emotional target, creative design and technical implementation for their sound design.
Case Study - Claws of Furry, a Global Release on Consoles and Steam
Thursday 12th July: 15.00 - 15.45 : Room 4I will be talking about how a studio with the majority of staff working remotely managed to successfully release a game globally in consoles and Steam, including Nintendo Switch. I will go in detail about the problems we encountered both during development and pre-release production. Decisions about changing or removing features of our game because of these problems, the impact on the software architecture and post-release steps. Interesting information about what is needed to release in Asia, localisation and the required specifics of age ratings. Finally, I'll talk about what new developers need to ensure they take care before they try it.
Fostering an Inclusive Mindset for the Future of Games Development
Thursday 12th July: 15.00 - 15.45 : Room 2As the games industry seeks to encourage and exploit new player populations in order to actively expand its user base, the pressure on the games industry to ensure its work is socially responsible will grow exponentially. Not only are equality, inclusion and diversity key to growing an audience, they are also key to user wellbeing: a topic that will come increasingly under scrutiny as technologies that the games industry is very publicly exploring and utilising, such as artificial intelligence and extended realities, push further into people’s everyday lives. This talk, delivered jointly by Ziggy’s Wish MD Ravi Thornton and CTO Jordi Sola, is designed to help foster a responsible, adaptive mindset for the games developers of the future; to make sure they start thinking about tomorrow’s questions today, rather than playing catch up in the face of potential criticism further down the line. Ziggy’s Wish specialises in creating Applied Narratives and Applied Narrative Technology tools for scientific research projects focused on intersectional social impact. Using case studies that discuss the challenges around user vulnerability and resilience, as well tangible methods to evidence social responsibility, this session will leave games developers better prepared to ensure that their industry not only embraces and supports the important and growing trend for new voices to be heard, but also drives its continued momentum.
Building An Audience For Your Game On Social
Thursday 12th July: 15.00 - 15.45 : Room 3A detailed look at how to grow an audience for your game on Social Media, from the team at Happiest; who in 18 months have organically amassed a following of over 3.5 million followers.
This session will deep-dive into how and why you should go about building an organic audience on social channels, the best 3rd party tools to make use of, how to produce and package your content for maximum impact on social, and ultimately how you can maximise the return on the time you spend marketing on social channels.
We'll take a look at some examples of content that have worked well for us at Happiest, as well as those performing best in the gaming space to discover why and how they are achieving the results they are.
Takeaway
- Clear guidance on how to maximize your time investment growing an audience on social channels.
- Best practice in terms of producing and packaging your content for social.
- A list of the best (primarilly free) 3rd party tools to maximize your efficiency.
BAFTA Games Masterclass : Star wars AAA Art on a VR XWING Cockpit
Thursday 12th July: 15.00 - 15.45 : Room 5Art Director, Kieran Crimmins and Lead Artist, Christian Bense from Criterion games discuss creating an interactable AAA X-wing Cockpit for PSVR and working with Lucas Film.
This masterclass is produced in partnership with BAFTA GamesGo Beyond A Single Server - new online game types with SpatialOS, Unity and Unreal
Thursday 12th July: 15.00 - 15.45 : Room 1In today’s saturated marketplace, differentiating your game is critical - but going beyond the median often means running into tough technical challenges, especially for online games. Improbable will talk about SpatialOS, its platform for making massive simulations, and how it enables developers to bypass the technical challenges inherent in creating more complex online games.
The session will then go through two new SpatialOS integrations Improbable is working on, for Unity and Unreal.
Takeaway:- What SpatialOS is and how it works.
- What’s special about the games built with SpatialOS.
- How to use Unity and/or Unreal to build a game on SpatialOS.
Horizon Zero Dawn - Dealing With Scope and Scale in a Brand New Open World
Thursday 12th July: 16.00 - 16.45 : Room 6Horizon Zero Dawn is critically acclaimed for its sound, dialogue and music score. However, at its inception, this open world project presented a paradigm shift for Guerrilla Games, noted for the rather more linear Killzone series. Using some key examples from the production, Audio Lead Bastian Seelbach will recount a story of dramatic changes in complexity and scale, explaining the audio team’s problem-solving approaches to tackling and overcoming challenges that open game environments introduce, while trying to find the voice of this brand new world called Horizon Zero Dawn.
Physically Based Workflows Explained
Thursday 12th July: 16.00 - 16.45 : Room 3The Physically Based revolution has been around for a while now. Even though you have adopted PBR successfully, you might still have many unanswered questions about how it works. Why doesn't the Substance Designer preview viewport match the results in engine? While we're on that topic, why no viewport in any program matches another software's viewport exactly, ever? What are Linear and Gamma precisely, and why do we bother with them? What practices which were absolutely common before Physically Based workflows arised, are going to break the realism of your materials in subtle ways? This talk has (most of) the answers to these, and many other questions you might have about Physically Based Rendering. Claudia Doppioslash guides you through the maze of Physically Based workflows, showing you how the physics of light impacts your workflows in practice. And including only sporadic references to mind-bending physics.
Takeaway- What common (old) practices break Physically Based workflows
- Why no preview viewport actually perfectly matches another
- Hone your eyes so you'll become able to recognise different lighting models
Everyone Can: Techniques and Tricks for Building More Inclusive Games
Thursday 12th July: 16.00 - 16.45 : Room 5As developers, we want to engage with the largest audience as possible. But how often are the challenges, current approaches and solutions to inclusive play considered? This talk will begin by discussing methods that are currently employed that allow players of varying abilities to enjoy games that are currently in the wild, including what hardware, software and any modifications are needed to simplify input and maximize enjoyment. We will then offer tips and tricks when considering inclusive play, providing attendees with several techniques they can implement in their own titles.
Takeaway
- What modifications are being employed, right now, to support inclusive play.
- What games have great inclusive techniques, and how we can learn from them.
- What are the simplest concepts that our games can look to implement, to maximize inclusive play.
- What impact does inclusive play options have on those players it more directly affects.
Acquiring and Retaining Users in VR Apps
Thursday 12th July: 16.00 - 16.45 : Room 4The purpose of this talk is to share FitXR's insights from acquiring the first 10000 customers for their top selling app BOXVR. The talk focuses on lessons learnt from using traditional user acquisition methods such as search optimisations, ads, marketing campaigns, competitions, social media campaigns, store placements, influencers, reviews, in game features and community management. Sameer will discuss the success of each type of method and elaborate on how FitXR used the lessons learnt in improving their game design, and in increasing engagement and retention.
Alexa, Let's Play: Creative Tools for Voice AI Development
Thursday 12th July: 16.00 - 16.45 : Room 2Sensible Object just shipped the world's first Alexa-powered board game, When In Rome. With over 40 million smart speakers in the market, this is a major platform opportunity for developers and studios. In this talk, CEO and product lead Alex Fleetwood will talk through the custom tools they have developed to develop, playtest and ship quality games on this new platform, share insights from the front line, and talk about their plans for the next 12 months.
Attendees will learn about the potential of voice AI as a gaming platform, understand evolving best practices around development, team structure and collaboration, and takeaway an understanding of what it's really like to develop games for smart speakers.
Designing for Learning: How a Small Team Can Create Exceptional Educational Games
Thursday 12th July: 16.00 - 16.45 : Room 1Bobbie shares her experience as a games designer and developer working on small educational games at Mangahigh. Bobbie introduces the talk by analysing the role of educational games within the games industry, considering the importance of this sub genre. She then looks at the role of games within education, particularly how and why schools are using games within the classroom.
After introducing the relevance of games for learning, Bobbie expands upon her own design process. How designing for learning focuses on three main criteria: who you are designing for, what outcome do you want to achieve and how you are going to measure it. Bobbie includes practical examples to bring the design process to life. She then goes on to look at different types of learners and how you can design systems that engage all people.
Finally Bobbie illustrates the development process involved with making small educational games using titles she has worked on. Bobbie shares her journey from design, prototype, testing into MVPs and then the continued development of these games after release, as part of a small team.
Bobbie concludes by summarising the role of games within the education sector, how you can design for meaningful play and an overview of the development process when making small games.
Takeaway:- How games play a part in education.
- How the process for creating educational games is a lot like creating indie games.
- How educational games fit into the games industry.
- How learning in the classroom relate to how players learn to play games
- How learning types influence game design.
Develop Battle Royale
Thursday 12th July: 17.00 - 17.45 : Room 4Simon Byron and Jonathan Smith wrap up this year's conference in the only way they know how: by eliminating every single attendee until only they remain standing. Come join them for this interactive session, which comes with beers, laughs and your chance to win an all-access pass to next year's Develop.
How to Maximise the Story-Telling Power of Sound in Your Game
Thursday 12th July: 17.00 - 17.45 : Room 6Using examples from her work on such prestigious productions as The Last of Us, Uncharted 4, God of War 4 and Fable 3, Shannon Potter explores the art of story-telling sound citing favourite examples of narrative and mood support including ambience and character sound design. She’ll also discuss best practice process to ensure both in-house and outsource audio teams best set themselves up for success in achieving a holistic, cohesive and deeply integrated aural gameplay experience.
Open Mic 2018
Thursday 12th July: 17.45 - 18.30 : Room 6In keeping with Develop Conference tradition, John Broomhall is joined by a panel of esteemed colleagues and friends for an inclusive town hall style discussion with conference delegates about the current state-of-the-art of music, sound and dialogue for games and what the future holds for game audio business, technology and creativity.
Keynote
10.30 - 11.00 : Room 210.00 - 11.00
John Broomhall Composer & Game Audio Specialist10.00 - 10.15 : Room 6Stephane Cornicard Actor/Director10.15 - 11.00 : Room 611.00 - 12.00
Adam Betterridge Authentic Media Productions11.15 - 12.00 : Room 1Thomas Buijtenweg Academy of Digital Entertainment at NHTVDr. Mata Haggis-Burridge Professor of Creative and Entertainment Games at NHTV11.15 - 12.00 : Room 2Ella Romanos Fundamentally Games11.15 - 12.00 : Room 3Mitu Khandaker Spirit AI11.15 - 12.00 : Room 4Will Augar Frontier DevelopmentsJon Ashby Frontier Developments11.15 - 12.00 : Room 612.00 - 13.00
Jake Birkett Grey Alien Games12.15 - 13.00 : Room 1Stephen Hutchins Hi-Rez Studios12.15 - 13.00 : Room 2Oscar Clark Fundamentally Games12.15 - 13.00 : Room 3Nico Nowarra Experimental Game12.15 - 13.00 : Room 4Gary Burchell Fireblade Software12.15 - 13.00 : Room 5Andrew Quinn Rocksteady Studios12.15 - 13.00 : Room 613.00 - 14.00
Marie Foulston Curator, V&A South Kensington13.30 - 14.00 : Room 114.00 - 15.00
Lana Zgombic Bossa Studios14.00 - 14.45 : Room 1Mark Slater Ninja TheoryMatt Stoneham Ninja TheoryJeff Goslan Ninja TheoryBalazs Kalazdi Ninja Theory14.00 - 14.45 : Room 3Paolo Torelli Programmer and UX Expert14.00 - 14.45 : Room 5Olivier Derivière ComposerJames Hannigan Composer14.00 - 14.45 : Room 615.00 - 16.00
Paul Thomas Improbable15.00 - 15.45 : Room 1Ravi Thornton Ziggy's WishJordi Sola Ziggy's Wish15.00 - 15.45 : Room 2Adam Green Happiest15.00 - 15.45 : Room 3Aris Tsevrenis Terahard15.00 - 15.45 : Room 4Kieran Crimmins Criterion GamesChristian Bense Criterion GamesKatharine Castle Rock, Paper, Shotgun15.00 - 15.45 : Room 5Philip Eriksson EA DICE15.00 - 15.45 : Room 616.00 - 17.00
Bobbie Allsop Mangahigh16.00 - 16.45 : Room 1Alex Fleetwood Sensible Object16.00 - 16.45 : Room 2Sameer Baroova FitXR16.00 - 16.45 : Room 4Mark Jawdoszak Gaslight Games16.00 - 16.45 : Room 5Bastian Seelbach Guerrilla Games16.00 - 16.45 : Room 617.00 - 18.00
Shannon Potter Formosa InteractiveJohn Broomhall Composer & Game Audio Consultant17.00 - 17.45 : Room 6John Broomhall Composer & Game Audio ConsultantShannon Potter Formosa InteractiveNick Arundel Rocksteady StudiosKenny Young freelance audio directorStephen Baysted ComposerBastian Seelbach Guerrilla Games17.45 - 18.30 : Room 6Keep up-to-date
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I absolutely love coming to Develop, it’s a brilliant, brilliant conference – you just know you’re guaranteed to meet everyone.
Jo Twist, OBE
Ukie
I really like Develop, I really like the intimacy of it and I love the location.. there’s a good diversity of talks going on so there hasn’t been a time when there’s nothing I want to see.
Brenda Romero
Romero Games
There’s a pretty good social element to Develop. A lot of the opportunities that come from being here are speaking to other developers that are doing exactly the same thing as you. And there are some good parties – it’s very much a pleasurable work experience!
Gemma Foster
Dlala Studios
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